Foundations of Music Ministry
Part 2: Sociological Foundations
Music is not a universal language. People in the world have their own musical language to communicate within their community and culture and it is different from our culture and language. Music is meant for expression or communication for the people in their own culture and it is understood only by themselves. The meaning of music in each culture is different to other culture.
According to Hustad in his book Jubilate II, music is a gift of God which both glorifies God and edifies human beings.
[1] Music is given for everybody in everywhere. People who are not Christians have different god from the God Whom the Christians have. We worship our God and they also worship their gods with their expression and this expression is expressed through their musical language. This is the first meaning of music in the society. Music is used as Divine expression. People use music to express who God is who has given music as a gift for human being and also used as communication between human being and God.
The second meaning of music in the society which music gives pleasure. It means that music give enjoyment for the people who use it. Music can be used by people in different ways, some examples: some people go to concert to enjoy the music, some people in some cultures make music after they have finished their works or met their basic needs of food, shelter, and protection from hostile forces
[2] or some places like shopping malls use music to entertain people.
Music expresses people’s emotion. Music has a close relationship with people’s emotion. People’s emotion can be moved by music. It could affect the emotion and reveal the emotion of a person through the outward expression or even through the character. For the latter, the revealing of music which relates to emotion, the two Greek philosophers in fourth century B. C. (Plato and Aristotle) developed a doctrine called the doctrine of ethos, a concept which the artist or the music has the power to change the character of the audience.
[3]When the music is used by certain culture or society, the music gives identity to that culture or society. Each society has a unique musical style and language and music expresses their uniqueness. Here music is used as preference for different group of people in different era and place or culture groups and the music gives identities of the group of people who use the music. Certain music symbolizes with certain meaning. When the music is used by the culture, the music adds meaning onto the ritual life of the culture because music expresses their characters in many ways of their life. This is the fourth meaning of music in the society which music reinforces the culture of the society.
Music in the society has the same functions with music in the ministry. Firstly, music is used as an aid to the act of worship to express about God who has given the music as a gift for the Christians. It is a tool of communication between God and God’s people.
Secondly, music is used as emotional expression of the Christians to God. Christians participate in the congregational singing in the worship and through music, they express their feeling and emotion to God but it has to be grounded in God Himself through the faith.
Thirdly, Christian music also gives pleasure or enjoyment for other Christians or even to the non-Christians. Nowadays, many recordings of Christian music are in the market place. People can easily buy and listen to the music and it gives enjoyment for them. Concerts of Christian music also give pleasure into the people’s life.
Fourthly, the music which is used in the church could unite the people. The music could integrate the people in the society with similar values of way of life and value of art forms. Christians in the same group in the church could feel closer and be united with other Christians in the same group because they have found the same communication which is music and singing as their languages and these languages give them meaning and value.
[1] Donald P. Hustad, Jubilate II: Church Music in Worship and Renewal (Carol Stream. IL: Hope, 1993), 20.
[2] Ibid., 12.
[3] Myrleene Grace Yap, “Church Music History Part 2: Baroque through Romantic Era” [lecture notes, Singapore Bible College, January 2008].